It might be, but in this case it’s a photo of a horse at the Red Caboose Motel in Ronks. I used the angled strokes filter in Photoshop, adjusting the directional balance, stroke length and sharpness.
There are dozens of filter to choose from, each with at least three different options, and some have even more. You can then add or adjust other Photoshop effects and layers in literally thousands of different ways, maybe even hundreds of thousands.
People say that you can learn Photoshop in 50-100 hours, but it really takes years to get anywhere close to mastering it. It would probably be faster to learn to paint with oil on canvas, but it would definitely not be easier.
There are as many ways to save a bad photo as there are ways to scale a fish. If you’re shooting RAW, you can play with the file in Lightroom, Photoshop, HDR software or all three in whatever sequence floats your boat. Of course you can do this with a JPEG as well but let’s not get into that.
Then, if you’re not satisfied with the results you can very easily use a Photoshop filter for creative and/or possibly artistic results. Amaze your friends and family and insist that this was your plan the whole time. But deep down inside you’ll know the real truth. But what is the truth?
There is a very famous poem written by the third patriarch of Zen, Seng-ts’an, called the Hsin-Hsin Ming. In this poem Seng-ts’an writes these lines: “Do not seek the truth; only cease to cherish opinions.”
In terms of photography this means either nothing or everything. The truth in this case, is that you took a photo that didn’t turn out the way you wanted it to. Life goes on, but wait…
At this point you’ve not only tried converting to black and white but you did it in a thousand different ways. There is actually a book called From Oz to Kansas: Almost Every Black and White Conversion Technique Known to Man. I browsed through it once in Barnes & Noble and almost had to call my therapist.
The best technique to save a bad photo is to convince yourself that it’s not really a bad photo. No one besides you is going to zoom in on the original at 100% (or more), study the histogram, or hit the O key in Lightroom to cycle through different grid options like the rule of thirds, the golden ratio and the golden spiral.
I photographed this Alpaca at a farm near Poole Forge on a cloudy day. The light was bad, he was far away, and my composition was terrible. I convinced myself that despite everything it’s not really a bad photo (after cropping and B&W conversion). Despite the fact that he spit a mouthful of chewed up grass and hit me right in the face from 15 feet away, I consider the afternoon and photo memorable if not perfect. Adorable isn’t he?