Category: Composition

Dead Center is Deadly!

Almost dead center
Almost dead center

Dead Center is Deadly says photographer Rick Sammon, referring to obeying the rules of composition. He strongly (obviously) suggests you don’t put objects in the center of the frame because it’s boring, and because there are so many other ways to do it.

Its might seem simple enough to find a young sunflower in her prime and take a photo, but even though the light is fading fast you should consider these rules of composition: the rule of thirds, the golden ratio, the rule of odds, negative space, filling the frame, balance, leading lines and symmetry.

Maybe take one shot using each rule, then mix and match until it either gets too bright, too dark, it rains or you get kicked out of wherever you are. Then take the RAW files home and edit them according to the rules of editing: white balance, exposure, noise reduction, etc, etc, etc.

I’ve heard rumors in back alleys and pool halls that there are people who take photos with their compact camera or phone and upload them as shot, but I’m sure they’re just rumors. Of course this is not fight club and breaking the rules will not result in a beating. Unless Rick Sammon sees your photos, then you’re in trouble.

The Rules of The Road

Spring Bulbs
Spring Bulbs

An interesting rule of composition is called the rule of odds, which suggests that an odd number of objects can work better than an even number. For example, a single flower framed correctly (yes, more rules), can appear to have better balance than two flowers together.

Others say that by using an odd number of objects, you’re actually encouraging the viewer to create their own balance. So the whole concept is either classic genius or nonsense.

So what happens if you see some gorgeous bulbs bulbing by the side of the road in good light? You grab your camera and fire off a few quick shots wide open to emphasize that ethereal quality of flowers. Looking at them later, you see that by some happy or unhappy accident you have only two of them in focus, or as much as is possible at f/1.8.

Now what? What will your friends and family say, your art teacher, the boys at the bar choking down chicken wings, the girls at the bowling alley missing the 7-10 splits? How can you possibly explain why you broke the rules?

You frantically think of something to say, something about rules, but all you can remember is the Fight Club thing. So take a deep breath and quote Ansel Adams: “There are no rules for good photographs, there are only good photographs.”

If that doesn’t cut it, mention the Fibonacci spiral and numbers, which of course you know like the back of your hand. That should be enough to confuse and yet impress almost anyone.