“There was an air of indifference about them, a calm produced by the gratification of every passion; and through their manners were suave, one could sense beneath them that special brutality which comes from the habit of breaking down half-hearted resistances that keep one fit and tickle one’s vanity—the handling of blooded horses, the pursuit of loose women.” Gustave Flaubert, Madame Bovary
Note: I did not speak to this woman so I have no idea if she’s loose.
Toba Beta, author of Master of Stupidity wrote: “Nothing is for free, even in heaven.” But driving around the back roads of Lancaster, Pennsylvania today I proved him wrong. I was thinking about nothing in particular when I saw them, not one, not two but three FREE gently used tractor tires.
I stopped to take a look, wondering what I could do with such a generous gift from a simple Amish farmer. My first thought was to buy a tractor, but I don’t have a garage. Then I considered making tire swings for the kids, but I live in an apartment and don’t have any kids.
After what seemed like hours but was probably minutes of racking my brain I realized that I had no need for them at all. But it bothered me, after all they were free. As free as a fly, as free as light, as free as a mountain bird, but to me they were useless unless I become a hoarder (briefly considered).
Robert A. Heinlein once said: “Nothing of value is free. Even the breath of life is purchased at birth only through gasping effort and pain.” Dammit.
The Sony 35mm 1.8 lens for my A6000 came yesterday and I wanted to experiment. Since its snowing, sleeting and raining today I decided to shoot indoors. To conduct a proper test I put some large white roses on a shaky table, set up two daylight balanced full spectrum bulbs with reflectors, forgot to turn off the lamp with the regular bulb and drank four cups of iced coffee. But I did use a tripod and an iShoot L bracket, shot in manual and used the self timer.
My first impression with this lens is that the closest I can get is about a foot away, so filling the frame without cropping will take some thought. It seems that focusing wide open this close is tough but easier at f/4 and above with enough light. The lens goes from f/1.8 to f/22 although the sharpest aperture is probably about f/8, which I will obsessively determine on the next sunny day above 30 degrees.
The main reason to use a fixed focal length prime lens is that it encourages you to focus on composition. If you need to zoom you move closer, which is easy unless you’re on the bank of a lake or river, in which case you simply buy a boat. Prime lenses are also compact, allegedly sharper and sometimes inexpensive although not this one. The Sony 50mm f/1.8 is about $200 dollars cheaper but it’s also bigger and depending on what you photograph possibly not the perfect all around lens.
I plan to shoot wide open or a stop down with flowers so I really wanted to see what the rose looked like at f/1.8. The flower is past its prime and so am I and this photo is far from perfect. But as cinematographer Conrad Hall said: “There is a kind of beauty in imperfection.” I think I like Marilyn Monroe’s quote better: “Imperfection is beauty, madness is genius and it’s better to be absolutely ridiculous than absolutely boring.”
“Are you searching for purpose?
Then write something, yeah it might be worthless
Then paint something then, it might be wordless
Pointless curses, nonsense verses
You’ll see purpose start to surface
No one else is dealing with your demons
Meaning maybe defeating them
Could be the beginning of your meaning, friend.”
Some people understand that in photography it’s all about the light. They scout out a location, set up a tripod, check their camera settings and patiently wait for the golden hour that usually lasts a few minutes.
Other people will shoot something they find interesting when they’re standing in front of it, even if conditions aren’t perfect. I’ll fix it in Photoshop they think to themselves, sometimes converting to black and white or using a filter or special effect.
The problem is that photography is all about the light, and most of the time you can’t make a bad photo great by playing with curves, levels, exposure and all the other tools in Photoshop.
Award winning photographer Jay Maisel once said: “There is no bad light. There is spectacular light and difficult light. It’s up to you to use the light you have.” I think that’s a little like saying there are no bad dogs, but if you watch The People’s Court cases with flesh eating Pit bulls you might disagree.
I’m posting this photo as an example of what not to do because the light was bad and I couldn’t fix it in Photoshop. I can go back this afternoon with a tripod and patiently wait, maybe even get a great sunset reflected in the windows, or I can remind myself of another Jay Maisel quote: “There is no one solution to all problems. It’s the problem itself that can lead to the solution.”
I think a giant sandwich and an afternoon nap in a nice warm bed might be the solution in this case. If it’s good enough for Dagwood it’s good enough for me.